Dan - Banjo tutor - Bayston Hill
1st lesson free
Dan - Banjo tutor - Bayston Hill

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Dan will be happy to arrange your first Banjo lesson.

Dan

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Dan will be happy to arrange your first Banjo lesson.

  • Rate 199AED
  • Response 1h
  • Students

    Number of students accompanied by Dan since their arrival at Superprof

    44

    Number of students accompanied by Dan since their arrival at Superprof

Dan - Banjo tutor - Bayston Hill
  • 5 (26 reviews)

199AED/hr

1st lesson free

Contact

1st lesson free

1st lesson free

  • Banjo

Award winning banjo player offering lessons in 5-string clawhammer style (all levels)

  • Banjo

Lesson location

Ambassador

One of our best tutors. Quality profile, experience in their field, verified qualifications and a great response time. Dan will be happy to arrange your first Banjo lesson.

About Dan

I am an experienced professional banjo player, singer and guitarist. Since graduating from Newcastle University with a first class music degree, I have toured the world performing and teaching with tours of the UK, USA, Canada, Australia, New Zealand, India and throughout Europe. I have taught one to one banjo lessons at all levels for over ten years both in person and over Skype which has included being the main banjo tutor for music students at Newcastle and Sheffield universities. I have also run many banjo workshops at folk festivals throughout the world and have also taught at leading American banjo camps. I have just published my first teaching book. Alongside this I have run more general music workshops in schools (both mainstream and special educational needs), at festivals and in mental health wards and care homes.

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About the lesson

  • All Levels
  • English

All languages in which the lesson is available :

English

I tailor my teaching to the individual student and try to make sure the student feels at ease, has fun and makes good progress. I try and create a relaxed environment to try and minimise the anxiety that people can feel about making mistakes and their general progress - learning an instrument is not a competition or a race! In terms of what I teach, I always start by establishing the core clawhammer banjo technique. Once that is established we can start to get stuck into learning some tunes, with new techniques being introduced each time so you build up your repertoire of tricks! I try to teach so the student isn't 'tab dependent' and can learn to pick out and arrange tunes, back up tunes and song, improvise and compose. I am a clawhammer banjo player but with a slightly unusual background. I grew up listening to Irish and Scottish folk music and heard what I now know to be tenor banjo rather than 5 string banjo but as the only banjo teacher of any kind taught 5-string clawhammer style that's what I ended up with! As a result, my approach to the style is that it can play more or less anything and need not be limited to old-time music (brilliant though that is!). I have tried a range of music on the instrument including Irish and Scottish folk, bluegrass, old-time, Eastern European tunes, Indian folk and classical and into funk, jazz and pop.

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Rates

Rate

  • 199AED

Pack prices

  • 5h: 996AED
  • 10h: 1,993AED

online

  • 199AED/h

free lessons

The first free lesson with Dan will allow you to get to know each other and clearly specify your needs for your next lessons.

  • 1hr

Dan's Video

Find out more about Dan

Find out more about Dan

  • When did you first develop a passion for music and your favourite instrument?

    A passion for music was there right from the moment I was born I think! As a toddler I was lying next to a tape player listening to music - Irish folk music and Paul Simon's Graceland. So I was eclectic even when I was young...I wanted to play guitar soon after and finally aged eight I began lessons but at 13 the banjo came along. I had heard banjo in Irish music and fancied giving it a go but I was surprised when it quickly became my main instrument and my driving passion.
  • Is there a particular type music or artist that you listen to on a loop without it driving you crazy?

    I have many artists that I love but I suppose Paul Simon and Horslips always stand out. But in terms of genre I do retain an absolute adoration of jigs, reels and other folk tunes. They have such an infectious and timeless quality and I love how many different ways they can be used as well as just standing up on their own.
  • Explain to us the most difficult or riveting course you could personally give to a student of music.

    This is the hardest question to answer as I think all facets of music learning are so variable in terms of how difficult people find them. I think writing a tune and building an arrangement is hugely riveting especially when the student hasn't done it before.
  • What do you think is the most complicated instrument to master and why?

    Again, it's hard to quantify because different instruments suit different people. Speaking personally the idea of a wind instrument seems a foreign concept to me!
  • What are your keys to success?

    Make practice constructive and purposeful. I've heard so many times 'I've played that tune a hundred times and I still can't play it' and often the reason is just thinking that repeating it will solve problems. Figure out WHERE and WHY it's going wrong and isolate those key phrases and get them fixed.
  • Name three musicians you dream of meeting in your favourite bar in the early hours of the morning. Explain why.

    Paul Simon! I just have to say him because he's my real hero and for similar reasons I'd pick Johnny Fean of Horslips whose guitar playing and band I adore. I'd add Gerry O'Connor who is really the main reason I took up the banjo and of the three I reckon he's the most likely to fancy playing a session long in to the night!
  • Provide a valuable anecdote related to music or your days at music school.

    I guess a real turning point for me was going to university and being surrounded by outstanding folk players. I think I'd been a big fish in a small pond playing in pubs in Stafford and suddenly the finer details of my tune playing were getting picked apart. I remember feeling very cocky that I could play Scottish strathspeys on clawhammer banjo before being told emphatically by a Scottish fiddler that I was missing lots of the details! I had a one-to-one lesson with her and it changed my musical life and my whole attitude for the better.
  • What are the little touches that make you a Superprof in music?

    I like to think that where I'm a good teacher is in trying to use the psychological side as well as all the technical details. So much of music is emotion and communication and students need to feel at ease and not terrified of getting things wrong. I try and focus a lot on that. Technically, I learned so much from my teacher George and some of my banjo heroes that I think my technique is good and quite systematic so it's something I can teach with confidence which hopefully inspires them too.
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